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This paper shows the influence of such a society on the poor people of these districts and the way they overcome President Snow. This research tries to prove that the city of Panem, with its governor President Snow, well represents the society of spectacle. The setting of this novel is Panem which is shown as a dystopia because of its misusing of the modern technologies which are much more developed than our own so that people’s mind will be entrapped within the images produced by these technologies. This paper tries to apply the theory of spectacle to Suzanne Collin’s Hunger Games and as the title of the novel is very telling of itself, it revolves around the annual event of Hunger Games connoting the starvation of the poor people in the twelve districts and the Capitol. In fact, by applying these images through different exciting entertainments and shows, the Capitol disperses people more and destroys their unity so that people cannot be united to rebel against the Capitol’s power. Spectacle consists of images such as games, entertainments or television shows which are political tools in the hands of the Capitol to stabilize its power. The heavy blowing is still there, but mixed with a crispness and rapid flexibility that heralds a new era. Elka Badlands third album takes them into new, more abstract territory. Debord presents the society of Spectacle as a mere representation of seemingly real images which is used by the capital for its own good. The Society Of The Spectacle by Badland, released 30 September 2005 1. The theory of spectacle is introduced by Guy Debord in his famous book The Society of Spectacle. Sub-Saharan Africa’s Perspective of Distance LearningĬonstructing Education for Self-Realization on the Basis of Plato's Human Psychology: The Nigerian Experienceįostering Quality Teachers in Teacher Education in the Context of Internationalization: Tasks Ahead

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The spectacle plays the specialized role of speaking in the name of all the other activities. Impact of Intellectual Capital on Financial Performance and Market Valuation of Firms in India The root of the spectacle is that oldest of all social specializations, the specialization of power. As late as 1979, Guy Debord could write about his 1967 book of theory, which is entitled The Society of the Spectacle: There is no a word to be changed. Social Theory and Emotion: A Philosophical TourĪ Cultural Study of Social Disagreement Strategies by Iranian EFL Male and Female LearnersĮxploring the Relationship between Learners Gender Differences and Communication Apprehension Considering the Class Participation in Iranian EFL ContextĪ Gynocritical Study of The Company of Wolves by Angela Carter Suzanne Collins’ Hunger Games and the Society of the SpectacleĪgeing and China: Towards Theory, Policy and Practice His text The Society of the Spectacle remains today one of the great theoretical works on modern-day capital, cultural imperialism, and the role of mediation in social relationships.A Study of Carter’s Wolf_Alice Based on Showalter’s GynocriticismĮducational Intervention in Fostering L2 Learner Autonomy Few works of political and cultural theory have been as enduringly provocative as Debords Society of the Spectacle, which decisively transformed debates on the. Brilliant but autocratic, Debord helped both unify situationist praxis and destroy its expansion into areas not explicitly in line with his own ideas. Self-proclaimed leader of the Situationist International, Guy Debord was certainly responsible for the longevity and high profile of Situationist ideas, although the equation of the SI with Guy Debord would be misleading.

The Situationist International Text Library/The Society of the Spectacle